{Artist Feature//Erica Wernick}

February 1st, 2011

Many of us have an appreciation for great television shows and movies; we all have our favorites. Some we love because of the suspense, some for the laughs and others for the drama. But one thing most people probably fail to recognize is the role a graphic designer plays in making all of the shows you love. Erica Wernick is an LA-based designer specializing in the entertainment industry, specifically in creating props. Erica took a few minutes out of her day on the set to answer a few questions about her field.

How did you go about getting into the entertainment industry?

One day I was watching the movie “13 Going on 30″ (a classic); you know the scene where J+M are eating Razzles? Suddenly, a light bulb (only the environmentally friendly kind, you gotta be green these days) went off: If that candy is not a pre-existing candy, someone must have designed that candy box! AMAZING!! Immediately, I decided this was what I wanted to do with my life. Yes, my inspiration came from a popular rom-com. Judge away.

Anyway, once I came to this brilliant realization, I packed my bags for sunny California, where dreams are made (and sometimes crushed, stomped, clouded from the pollution). Well, it wasn’t quite that glamorous. I researched for about 1-2 years about the kind of job I wanted. I contacted people who were already doing it and asked them questions. Specifically, I looked through credits on IMDB for Graphic Designers, and then searched the web for their contact information. Facebook was my hero through all of this. Some may call my tactics “stalking”, I, however call it determined. It landed me my first few gigs, so eat it.

What is your favorite part about designing for television and movies?

I have a few favorites, so bear with me. I love the idea of my work being on the big screen. It’s amazing to call home and tell my friends to watch an episode, or watch a movie, and they can see my graphics. Another great aspect is feeling a part of a larger picture. It’s pretty awesome to be a part of a film or tv show, working with all the different people/components. Finally, designing for film/tv is different than designing for a client. The main people you have to please are other art people. This gives you a lot of room to be creative.

What is a typical day like for you?

I have had the opportunity to work two types of jobs so I will explain both (and of course, it really varies from production to production):

1) Kick Ass Graphic Designer – Arrive on the lot around 8:30am. Go to set for breakfast. Check for new drafts of the script to see if new graphics have been added. Create priority schedule for what shoots when. Meet with Art Director, Property Masters for any new graphics/specific direction. Design, design, design! Print designs, get approval. Once they are approved, bring them to set. Take advantage of craft service. (Try not to get fat) Watch a take or two of the episode shooting. Design more. Make sure all deadlines are met before going home (usually around 7:30).

2) Slightly Lamer Art Production Assistant – Arrive on the lot around 8:30am. Make coffee. Print and distribute prep schedule. Check for new emails from Production Designer. Order lunch for the Art Dept and Set Dec. Pick up the lunch. Print/cut research photos for presentation boards. Run errands such as going to the carpet store to get samples of carpet, flooring, etc for sets. Distribute set drawings. And create some small graphics in there somewhere. Leave around 7:30 or 8, unless a pre-screening of an episode is playing for the crew to see.
I know some of this does not sound glamorous, but keep in mind I get to go to set and watch them film, I get to go to big hollywood wrap parties, eat for free everyday, and watch dailies/episodes several months before the public. Downside: I’m working on “Glee” right now, which is a show I love, and I just want to gush over the new scripts with my friends and I CAN’T!! You can not tell anyone outside of the crew anything about the scripts.

What do you do when the show you’re working on is on hiatus?

Ah, hiatus. When you are making the big bucks (right now, a Graphic Designer’s scale is minimum $44/hour, guaranteed 8 hrs/day) you don’t have to worry too much about hiatus. Otherwise, I look for other jobs, waitressing, freelancing, etc. Sometimes I am able to take a trip home (back east), go the beach, etc. Complain to my other industry friends.

Can you give some examples of props you’ve created?

I’ve designed book covers, business cards, soda machine flavors, advertisements, forms, websites, menus, etc. It’s really fun creating stuff like “Wernick Cola”. My friends’ names start turning up everywhere…

Are there any shows you’d love to work on?

I would have loved to work on Curb Your Enthusiasm because it is one of my favorite shows. Although there were not many graphics in that show. I think it would be great to work on a period piece. I love working on shows I actually watch. And it’s always more fun when there are hot actors.

Who are some of the actors you’ve worked with?

Eric McCormack, Tom Cavanagh (I even designed some holiday cards for him), Monica Potter, the cast of Entourage, the cast of Glee, Jim Bellushi, Jennifer Tilly, Vanessa Marano, Beau Mirchoff.

Erica’s truly awesome work can be found on www.ericawernick.com. Check it out and show her some love!

{The Bucket List//Food Edition}

January 25th, 2011

When a coworker learned of my limited food experiences, a list was drawn up of foods I need to try before my 25th birthday this April. As others in the office heard of it, new items have been added and lunch hours have been spent trekking me around the city to cross items off the list. I’m making my list of cuisines and food{which I should probably be somewhat embarrassed by, especially PB+J} public, as well as my post consumption thoughts.

1. Sushi {Dreading}
2. Indian {Also dreading}
3. Vietnamese
4. Japanese
5. Thai
6. Nectarine
7. Pear {Liked}
8. Plum {Delish}
9. Moroccan {Liked}
10. Korean {Liked}
11. Jam {Liked-thanks to K. Ream’s GMom}
11. PB+J {Liked and now consume often}
12. Jelly+Cream Cheese {Same as PB+J!}
13. Coffee {Nah, didn’t like}
14. Life Cereal {Yum, definitely preferred the Cinnamon over regular}

{Artist Feature//Matylda Biedron}

January 19th, 2011

Today’s work comes courtesy of an extremely talented designer, and good friend on mine Matylda Biedron. A few years back, Matylda began writing and illustrating children’s stories that brought attention to global issues. She then took the characters she created and brought them to life as real plush toys. Continue on to hear more from Matylda herself and see some of her amazing work.

“My incredibly talented and super kind friend Brittany asked me if I would like to be featured on her blog, and I said YES! So here I am, absolutely honored to be writing this little tidbit for this blog made of awesomeness with sprinkles on top! Hopefully, this will not turn into a rambling babbling mess of long-windedness that I am prone to.

Creativity is like sunshine to me, and if by some reason I wasn’t able to bring my imagination to life, I would wither away like the poor little flower in the Brave Little Toaster after the toaster hides behind the bushes. I would be that flower if someone took away my paper, pencils, needles and spools of thread, and when I feel stuck in a creative rut, I am that flower.

My childhood consisted of Disney, Jim Henson, fairy tales, Star Wars, truck loads of Crayola products, (including the infamous Big Box of 96 crayons with the built-in crayon sharpener that never worked and only broke off the tips of my precious crayons that were then lodged in there never to return), endless amounts of paper (so sorry to the trees), and unlimited support of my imagination and kookiness by my loving parents. My love for sewing and creating plushes/puppets totally stems from my long-time love for Jim Henson and his muppets.

Growing up, I was fascinated and obsessed with everything Disney and Jim Henson; I mean, even my first crush was due to Jim Henson casting David Bowie as Jareth in the Labyrinth. Dance magic dance magic dance. Disney and Jim Henson both had this uncanny gift to bring these wonderfully magical and imaginative worlds to life and had such an ability to instill such joy in the hearts of their viewers, and I always knew that that’s what I wanted to do, too.

I first started sewing in grade school, because instead of being a normal child, I was the epitome of all things strange. Instead of attending school dances, except for one or two, I stayed at home and was the equivalent of a little 90-year-old lady in a rocking chair working on an embroidery packet she bought earlier in the day. No joke, I legitimately did that, I was the chubby little dweeb who taught herself how to sew because I was never asked to go to dances; but the truth is, I loved staying in and being creative, even though I did hope & wish very much so to be asked out by a sweet guy, it’s odd how some things never change. Probably shouldn’t have admitted that.

Well, my childhood is still alive and well today, because at 23, I still sound like I’m 5, I am dateless, and I am using the grown-up versions of crayons, markers, and endless amounts of paper & fabric to bring the creatures I see in my imagination to life! I love illustrating, writing, and sewing so much that the only job I’m truly qualified for is to be an elf in Santa’s Workshop, unfortunately, he’s not hiring, and he’s also married, darn, because an elf outfit would totally compliment my elvish features. I could sew, illustrate, write, and design toys all day, everyday, and I do, but it would be nice to be securely employed. Or at least have a sugar daddy to fund my projects, totally kidding.

Urie

The very first plush I ever sewed was Urie, the little fuzzy blue monster, and he’s from a story that I wrote & illustrated called “Larry’s Really Angry.” I always wanted to write a children’s book, and while I was in college, all of the stars aligned and I had the perfect chance to be as cheesy as possible with all of the help and support of an awesome professor, Scott Laserow. So far, I have written and illustrated 5 books, with characters sewn for each story, so far I have a total of 20 and counting! I am well on my way to becoming a crazy puppet lady. I hope that’s better than being a crazy cat lady, right?

In each book I love to incorporate special little sewn features, like embroidery, textures, and simple pop ups just to add teeny little surprises to the books. I love little simple things, like bumble bees, flowers, pennies ( a penny is the most valuable currency because it carries all of our dreams and aspirations once we throw up into wells or fountains), so anyways, sewing in little details in my books is just my way of showing how much I cherish those simple little things that I love so much.

Soldiers

Each plush/puppet takes me at least a week, sometimes even months to complete, depending on the size or how nit-picky I am when it comes to sewing in little special details. My largest plush, George the Giant, who is based on an illustration I created for a website based on the Brother’s Grimm, took me at least  2 months to complete because of his ginormous size and nit picky details.

Peabody and Norbie

Peabody & Norbie are from a story called Peabody Loves Attention, which tells the story of peaceful little monsters who are being turned into marionettes by an evil and sinister puppeteer, who happens to be named Peabody. Peabody the Puppeteer, scary right?! But all of my stories end happily, so they’re not scary, not even a little bit, at least I don’t think so. I have been told I do not look like someone who would illustrate this way, sometimes my illustrations are a little dark and quirky, which has led to accusations (jokingly of course, I hope?) of me taking drugs, but I promise you, I am just a weirdo with a vivid imagination that somehow conjures up these wacky looking characters.

My biggest aspirations are to one day manufacture these plushes since people seem to like them so much, publish my stories & write children’s books, make a stop-motion animated feature with some of my characters, and be a great mom, one day, if I’m hopefully given the chance. I’d make some kick-ass Halloween costumes that’s for sure!

Kolya

So in a nutshell, I write silly stories and I sew kooky characters because I like to make people happy, and thankfully, people do seem to be happy when they see my work, and if I could do that successfully for the rest of my life, I will be a happy little old kooky lady.”

Check out some more of Matylda’s projects at www.matyldabiedron.com. Matylda also creates an illustration of the day, which is posted daily on Twitter. Follow @tillyminilly to see these amazing peices. You can also order some of her prints and other goodies on her Etsy shop

I’m going to go ahead and declare my love for Fabien Barral. He’s a tremendously talented designer and typography extraordinaire. Do yourself a favor and visit his site right now! He creates these cramazing (crazy+amazing) wall stickers. I love them all so much it’s hard to choose a favorite.

Designer Rules

This is a must have for any designer's studio

I'm definitely getting this one for my bedroom wall

I'm definitely getting this one for my bedroom wall

They’re on sale here. Go and spend your paycheck on all of them, I wish I could!

{Allow myself to introduce myself}

January 9th, 2011

Step inside my mind and see what I find inspiring/amusing/entertaining. I’ll be featuring some friends that are doing fabulous work, new projects & adventures I’m tackling and anything else I find fancy. Come on in and stick around for a bit.